"Baal", by Bertolt Brecht incisive analysis of the play

        On Thursday, November 7, I saw a performance of Baal, seduce verbally by Bertolt Brecht and directed by Evan Parry. The play was non an ruttish play, simply an intellectual play. It caused the viewer to think roughly the existentialist nature of Brechts writing and the underlying meaning of the play. Although I perk up studied existentialism and followed the play intently, I still could not fully understand what Brecht was trying to understand through Baal. My interpreting is that Baal represents man and his desires and what those desires can lead to.         At the beginning of the play, Baal is in good spirits and loved by all. He has doors move over to him; he is asked to publish his meter and sing his songs at a bar. Through the play, his life in stages becomes worse because he drinks as well as such(prenominal) and has many girlfriends. People start to detest him and he loses his apartment. therefore more and more people star t to dislike him and he moves from job to job and location to location with nada but Ekart to see him through. But then he realizes that he is finally in love - with Ekart, but she doesnt love him and makes it manifest by having other men and women in her life. So, Baal kills her since he cant aim her for his own.

By the end, Baal has nothing but himself to blame for his condition. His drinking puzzle and his paradox of seducing e real woman he meets drives him to his death, and causes everyone to repudiate him.         The performing ranged from not-so-great to very good. The only problem was that since n ot all the actors label were used, it was ! punishing to figure out who was who in most cases.         Baal, compete by Robert Seay, was in... If you want to get a full essay, prescribe it on our website: OrderCustomPaper.com

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